Six worlds of reverb
Spring: Bold and obvious. Classic spring reverb, modeled from a tape echo unit. Not too springy, not too clean. Tons of character.
Plate: Dark and dense. The classic vocal and drum reverb, with three mechanical plate emulations and one emulation of a classic digital plate reverb from 1976.
Concert Hall: Lush and sparse. The must-have vocal and synth reverb. Designed in 1978, the Concert Hall algorithm has been a studio staple ever since.
Room: Dense and versatile. Excels at studio ambiance and shorter reverbs.
Random Hall: Open and clear. An ‘80s classic. The pinnacle in reverb design with an amazing spatialization that glues with any source.
Cathedral: Long and lush. Synthetic and big, with beautiful modulation. Makes any synth sound big and alive!